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The virus

This is a long read but please, you have all the time in the world. Before you catch the VIRUS read this:

This is a long read but please, you have all the time in the world. Before you catch the VIRUS read this: Are you scared yet? They say this thing it… Kills your immune system, attacks your lungs, makes it hard to breathe and it’s spreading… Spreading like wildfire causing havoc. Your friends and family are gonna get it if they don’t already have it. It’s tragic I tell you, madness! Scientists say old people get it worse. Most get it eventually and they say this is new, but no, no, NO! This has been around for centuries. Look at history, it’s just a different name, a different strain and now there’s no way to contain it. Everyone is on edge, locked inside of their homes, nervously. Borders are closed countries declare state of emergencies, grocery stores are empty, nobody’s praying in church. The world has gone to crap! No wonder toilet paper sold out first. The stock market crashed, thousands laid off work, hand sanitizer is going for a million dollars a squirt. You better not sneeze ‘cos no one’s gonna say God bless you, they might even arrest you. I don’t mean to stress you, but washing your hands obsessively in the restroom will not protect you. Friends, I’m not talking about Coronavirus. No, this… Is a virus even more deadly. The F-VIRUS. You’ve seen it. It spreads every minute, like an epidemic. It lives on surfaces most commonly used by us, smartphones and tvs. Doctors say every time you interact with it it invades the brain and when it mutates it turns into hatred and blame. China did it, no it was Italy, Iran or was it Spain? Didn’t I make it clear? The f virus ladies and gentlemen is FEAR. But don’t be afraid, despite what you hear or see on your tv there is good news. During this tragedy to fight loneliness people are performing concerts on their balconies. The UAE sent aid to Iran, Japan donated supplies to China for free. They written on them a poem that said “we are waves from the same sea”. Like every tragedy we can let this destroy us or we can use it to our benefit and repair relationships with our sisters and brothers. Wipe away silly grudges because when it’s all said and done all we ever really had in this world is EACH OTHER. Let’s flatten the curve and expand our hearts. Let social distance boost our immune systems. Be mindful of where we put our hands but also where we put our attention. Be alert not fearful because the f virus is a pandemic easily transmitted if you contract or exhibit symptoms. We recommend immediately dialing the hotline… Of a level-headed friend. If you are exposed through your tv change the damn station. Decontaminate yourself through dance, laughter and meditation. 2020 has been morbid, from Kobe to Covid. But we can use these tragic moments to finally wake up to what’s important. Right now, tell someone that you care for them. Yes, right now tell them that you cherish them if they are not in the same room. Ring them up and tell them that you will always be there for them. Because together is how we will rise above. The only vaccine for this f virus and every other virus is LOVE. #STAYHOME #STAYSAFE AND DON’T PANIC!

By Prince Ea

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ULTRA MUSIC FESTIVAL 2020 OFFICIALLY CANCELLED

Ultra Music Festival in Miami has officially been cancelled.

After meeting with Miami city officials earlier today amid the coronavirus outbreak, the festival has made the decision to cancel its 2020 flagship event. This will be the first time since the festival’s inception in 1999 that it will not go on as planned.

According to the Miami Herald, “City officials have yet to announce details of the change because attorneys are ironing out the legal issues tied to the decision, including the length of the delay, sources said.”

Last year the festival was forced to Virginia Key after Miami officials voted against renewing Ultra’s contract at Bayfront Park. Ultra was voted back this year, to the delight of tens of thousands of fans. The lineup included many of the festival’s heaviest hitters, with the exception of Tiësto who wasn’t on the lineup for the first time since 2006. Subtronics, Kayzo, Fisher, Charlotte de Witte, The Chainsmokers, Marshmello, Martin Garrix, and more were all scheduled to perform.

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Caprices Announces Line-Up, Three New Stages & Double Weekend Format for 2020

Caprices, which will take on a new format for 2020 — Caprices presents Modernity. It will now take place across 2 weekends in the Swiss resort of Crans-Montana on April 17-19 & April 24-26, 2020

Secondly, Caprices’ Moon Stage from previous years will give way to two brand new stages, The Forest Stage and The Chalet Stage. Performers across the two weekends include Ricardo Villalobos, Archie Hamilton, Sonja Moonear, Magda, Traumer, Priku, Ion Ludwig, Marco Carola, Jamie Jones, Luciano, Sven Väth, Guy Gerber, Lee Burridge, Behrouz, Adriatique, YokoO and more

Caprices is home to one of the most visually stunning music venues in the world, The Modernity Stage, a greenhouse-like structure that sits 2,200m above sea level offering panoramic views of the crystalline skies and snow-capped mountain vista. Three new stages will be in place this year — firstly a new daytime stage at Cry D’Er to complement Modernity, plus the Moon stage from previous years will give way to two brand new stages, The Forest Stage and The Chalet Stage. 

The resort itself boasts a broad selection of eateries ranging from mountain huts to award-winning restaurants, numerous boutiques and shops, a wellness centre and a variety of entertainment including 140km of pistes, 100,000m² snow park, illuminated ice rink and an eco museum.

Caprices presents Modernity Festival

April 17-19 &  April 24-26, 2020

Crans-Montana, Switzerland

https://caprices.ch/

FACEBOOK EVENT

Facebook: @CapricesFest

Instagram: @CapricesFestival

Twitter:@Caprices_Fest

For its 17th edition, Caprices presents its new concept: Modernity 2 X Higher, spreading over two weekends on April 17-19 &  April 24-26, 2020. Marco Carola, Jamie Jones, Luciano, Sven Väth, Guy Gerber, Lee Burridge, Ricardo Villalobos, Adriatique will be amongst more than 53 of the most prominent artists of the moment, who will gather in Crans-Montana. Three new stages have been announced, one new daytime stage at Cry D’Er plustwo new night stages that will host various national and international festival and club brands.

Modernity 2 X Higher

Located 2,200 meters on the Cry D’Er terrace with a breath-taking panoramic view in the heart of the Swiss Alps, the Modernity stage continues to attract more customers from around the world wishing to live this unique clubbing experience. For its 17th edition, the event’s organizing committee wanted to extend the festival over two weekends from April 17 to 19 and from April 24 to 26 in order to offer not 3 but 6 Modernity events. A second daytime stage, located in the Club Cry D’Er on the Modernity site, will be offered to the public in order to offer them a choice of programming.

The most influential artists on the scene responded to the call for the new concept. The first weekend of the festival will notably welcome artists such as Sven Väth, Adriatique, Guy Gerber, Lee Burridge, Behrouz, Chaim, Yokoo, Lunar Disco, Parallells (Live), Guti (Live), Traumer, Archie Hamilton, Ion Ludwig, Britta Arnold, Mira & Chris Schwarzwalder and more.

On the second weekend, the mountains will vibrate with the sounds of Marco Carola, Jamie Jones, Luciano, Ricardo Villalobos, Sonja Moonear, Marco Faraone, Osunlade, Mathew Jonson, Magda, Agents of time, Michel Cleis, Alex Kostic, Skizzo, Steve Rachmad, Cesar Merveille, Shaun Reeves, Ryan Crosson and many more.

New Night Stages

Caprices’s Moon stage from previous years will give way to two new stages —  the Forest Stage and the Chalet Stage — which have been imagined and programmed in collaboration with renowned national and international festival and club partners. On the international side, you will find party labels such as: Esto Es Tulum from MexicoEpizode from VietnamPyramid from Ibiza, Gypsyland from Italy, Aum from ParisSlapfunk Records from Nethereland and many others. On the national side, the leading players on the Swiss scene will be associated such as the D! Club and Folklor of LausanneSecret Society of GenevaTerrazza of Zurich. The full programme for each evening will be announced shortly.

Maxime Léonard, in charge of the artistic part, comments “It is an immense honour for us to be able to bring together around the festival so many important artists / festivals / clubs on the international scene. It’s a huge sign of recognition for us! In addition, on the artistic level, this allows for extremely interesting sharing work, and allows us to offer programmes from recognized artists and newcomers from all over the world.”

WEEKEND ONE 17 – 19 APRIL 

ADRIATIQUE

ARCHIE HAMILTON

AUDIOFLY

BEHROUZ

BRITTA ARNOLD

CHAIM

DIGBY

DORIAN PAIC

GIORGIO MAULINI

GIVEN (JAMES MC HALE & GIORGIO MAULINI)

GUTI (LIVE)

GUY GERBER

ION LUDWIG (LIVE)

LEE BURRIDGE

LUNAR DISCO

MADNAX (LIVE)

MINA

MIRA & CHRIS SCHWARZWALDER

MR ID 

PARALLELLS (LIVE)

PRIKU

SUCIU

SVEN VÄTH

TIA

TRAUMER

YOKOO

WEEKEND TWO 24 – 26 APRIL

AGENTS OF TIME (DJ SET)

ALCI

ALEX KOSTIC

ARGENIS BRITO

BRUK BOOGIE KRU

CESAR MERVEILLE

DANA RUH

EDWARD

FLABBERGAST

JAMIE JONES

JOEY DANIEL

LUCIANO

MAGDA

MARCO CAROLA

MARCO FARAONE

MATHEW JONSON (LIVE)

MICHEL CLEIS

OSUNLADE

RICARDO VILLALOBOS

RYAN CROSSON

SHAUN REEVES 

SHIMZA

SKIZZO

SONJA MOONEAR

STEVE RACHMAD

WILLIAM DJOKO

YAYA

PLUS MORE TBA

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Romania’s NEVERSEA makes a third comeback

The third iteration of Romania’s coastal, fun-in-the sun (and long thereafter) festival, NEVERSEA, proved a particularly impressive production this past year—considerably so for a young festival still trying to find its footing in a swarming European event market.

With tens of thousands of attendees, primarily from Bucharest and surrounding Eastern European meccas pouring in to the relatively quiet, though densely populated beach town of Constanţa July 4-7 for NEVERSEA’s multi-national electronic, hip-hop, and pop roster, success was a tall order, made taller with one of the aural agenda’s top-sellers, DJ Snake, rescinding his lineup spot in a last-minute heartbreaker of an announcement.

But NEVERSEA rose to the occasion, largely due to its audacious artist acumen, which spanned UK-bred Sub Focus’ whiplash-inducing drum breaks, to the mellow electronic/live instrumentation synergy of Bob Moses. Saturday, the four-day affair’s busiest night, drew over 60,000 festival-goers, NEVERSEA reports; and while by 7 pm there was little room to move about freely (particularly near the main stage), let alone secure an opportune spot, most of the all-ages attendees hardly seemed to mind. The remaining three days saw much of the same congestion near the main stage, though mostly confined to the riper hours of the evening during the most prominent performances, like that of Alesso and G-Eazy.

The Temple
The varied and immaculately decorated subsidiary stages offered ample refuge from the often-overflowing headlining performances. The kaleidoscopic Temple Stage, for example, with the elevated Constanţa strip as its beckoning, spotlit backdrop, hosted a lustrous litany of club-centric house and tech-leaning talent, including early-morning majesty from the likes of Jamie Jones, Boris Brejcha, and Dubfire. Faithful observers in the art of four by four, with penchants for surreptitious low-lit after-hour locales were sure to be found worshiping at the Temple.

The Ark
The Ark Stage offered dance digs of the most brash and unbridled variety. A walk past the vessel-themed stage could proffer either serrated drum ‘n’ bass displays from Andy C or Sub Focus and their razor-lipped MCs, or perhaps up-to-the-moment four on the floor from NERO‘s Dan Stephens. By all accounts, a rendezvous under The Ark is not for frightful ears.

‘Til the break of dawn
A stroll through the sandy grounds at daybreak proves NEVERSEA can hold an audience. Even at 5 am, as the orange glow of sunrise kissed the Black Sea coastline, and the delicious and delirious madness of Boris Brejcha’s “high-tech minimal,” an amalgamation of progressive, techno, and trance, began winding down, it was clear attendees were in it for the long hall—as hundreds remained camped around The Temple stage, wide-eyed and enthralled. The intensity of the Eastern European people is no myth, personified in hordes of young people dancing at 8 am with 8 pm vigor. They gathered restlessly, striking coquettish poses with the flowered festival foliage long after dawn stretched into day.

In just a few short years, NEVERSEA has solidified its spot as a must-attend on the Romanian festival front, really only contending with its Transylvanian sister soiree, UNTOLD. The robust beachside gathering is an impressive mid-sized mounting on the Eastern European festival mantle.

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Marco Carola’s Music On Festival returns to Amsterdam Loco Dice, Jamie Jones and many more

It’s never too early for the summer events season to start heating up. Marco Carola‘s Music On Festival is primed to usher in the summer vibes with a stacked billing for the event’s 2020 return to Amsterdam. Havenpark will host the May 9 – 10 event, named after Carola’s long running weekly Ibiza party, with some of the day’s top techno talent. This year’s lineup includes Loco Dice, Jamie Jones, Paco Osuna, Danny Tenaglia, tINI, Solardo, Stacey Pullen, Benny Rodrigues, Lauren Lane and many more.

Gearing up for its fourth run, Music On Festival is pulling techno haymakers from across the world—from Detroit and New York to France and Italy—for one of the most anticipated two-night events of the summer. See the full Music On 2020 lineup below.

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Awakenings Festival rings the techno alarm clock with this huge 2020 lineup

If you’ve ever hoped for a Tomorrowland of techno, then make room in your planner for Awakenings Festival, the world’s largest outdoor techno event. This year the Netherlands event celebrates its 20th edition with a lineup as deep as it is wide, presenting sets from the pound for pound techno icons like Carl Cox, Jeff Mills, and Derrick May alongside a true buffet of the genre’s new breed.

While Awakenings billed as a techno festival, its lineup builds a truly vibrant sonic collage within the genre. In 2020 fans can expect sets from 99999999, Richie Hawtin, Boris Brejcha, Ricardo Villalobos, Speedy J, Joris Voorn, ANNA, Charlotte De Witte, and Tale of Us among literally a hundred other DJs who sit at the top of the electronic game.

To celebrate having its roots planted firmly in Amsterdam’s techno culture, Awakenings took to the canal’s for this year’s lineup announcement with an hour-long acid journey from Reinier Zonneveld, whose electro-tinged brand of techno has gained him particular notoriety in the Dutch scene.

Checkout Awakenings Festival’s 2020 lineup below.

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Maceo Plex merges all three aliases in new live concept show, M³

Maceo Plex’s three aliases are set to converge in a kinetic live initiative that merges all of his musical identities into one for the very first time. Maceo Plex, real name Eric Estornel, will conjoin his three respective monikers—Maceo Plex, Maetrik, and Mariel Ito— in his inaugural performance as M3

Attendees of the seminal performance, slated for March 14, can expect M3 to be a potent blend of electronic styles, with industrial inflection from Estornel’s primary, techo-centric project, Maceo Plex, crepuscular live production from Maetrik, and electro from Mariel Ito. Estornel has designed M3 as a “three-part, multidimensional sensory experience” complete with not only lasers and graphic visuals but also “a live interactive holographic performance,” according to a press statement. The inaugural M3 event will be held at El Pueblo in de Los Ángeles Historical Monument. Of note, M3 will mark the first time that the outdoor space has hosted an event of this nature.

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Chris Liebing on Mental Health in Music, Trusting Your Instincts, and His Game-Changing New Album

When you’ve spent over 20 years at the top of your profession, it must be hard to find new ways to challenge yourself. A true superstar of the German techno scene, Chris Liebing is one of the most in-demand DJs in the world.

But instead of resting on his live show, Liebing ventured into the new ground to create by far his most cohesive and compelling album to date. Burn Slow sees him steering an enviable group of artists into the dark and cerebral territory.

We caught up with the techno legend and asked him about everything from the album as an art form to an artist’s responsibility to their fans, to how he plans on integrating his new music into his live show and to see just where his head’s at in the wake of releasing his game-changing record. 


First off, congrats on the album. It’s not really what I was expecting and I’m sure you’ll get that quite a lot but I’ve been listening to it on repeat.

Chris Liebing: Nice! That’s great to hear because that’s basically what it was intended for. Not necessarily on repeat, that’s a nice bonus, but basically listening to it from beginning to the end sort of thing.

It’s already exceeded my expectations because I really never expected that anyone would take the time to listen to an album from the beginning to end but apparently a lot of people still do. It’s great to hear.


Yeah, people have been talking about the death of the album since Napster, but I just haven’t seen that. What I’ve seen really is people doubling down on the album experience.

That is the first time I’ve heard that from someone, what you just said. I didn’t really realize that. You’re probably talking to more people than I am about things like this but I grew up with the album listening experience and I think the album format is just such an important format.

When I was sitting on this album I definitely put down my expectations of people actually listening in full. In these modern times, everything needs to be so quick, and every video on YouTube should only be like three minutes because nobody’s looking for anything that’s longer.

I thought this is kind of like something that is really out of fashion, so it’s really nice to hear what you just said that people are doubling down on it, that’s great.

Read more at Festicket

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Inside the Pink Bubble: An interview With Giorgia Angiuli

Giorgia Angiuli is an Italian composer and multi-instrumentalist. Angiuli’s love for experimentation started early on in her life, as she went from having a background in classical music to pursuing electronic music production as a career. The epitome of her experimentation can be witnessed in her live performances. She is known for using toys—yes, actual toys that sometimes people don’t even have a name for—images and scents to create multi-dimensional live sets. Some of the instruments she uses are the trumpet, sax, drum pad, keyboards, and her voice. The result is a journey of music genres varying between pop, techno and house.

Mixing and looping these into different arrangements electrifies the dance floor and leaves the audience thirsty for more after a night of dancing their asses off. Since 2013, Angiuli has managed to release tracks and albums on some of the biggest labels, such as Crosstown Rebels, Harry Klein, Kindisch, and Systematic and Suara. Her latest album “In A Pink Bubble” was released on Stil Vor Talent.

On a broader scale, Angiuli—along with her toys—has performed at some of the biggest clubs and festivals around the world, including ones in Berlin, New York, Paris, London, Munich, Madrid, and Paris. Her global presence has increased thanks to her viral video clips that reflect her quirky persona as an artist and performer.

You come from a family of classical musicians; what made you switch to electronic music production?

I love music in all its shapes so at this moment I am just swimming in a new ocean… Actually, when I was a student I had a lot of prejudice against dance music. I thought that it was something vulgar and very easy to do. But I was completely wrong, every music has its own difficulties.

What I really love about dance music is the reaction of the crowd because you can immediately feel what they are thinking about your sound. Dance music is about instinctive reactions and feelings so if they dance, it means they are liking it 

Your identity as an artist is very much noticeable in all aspects of your persona —from the way you dress to artwork and the gear you use to make sounds. Can you tell us more about that?

I’ve been collecting toys for many years now. I know sometimes people look at my setup in a suspicious way, but I don’t care. It’s me. I love colors, I love toys and kawaii – cute outfit, I feel a bit like a Japanese girl 

I know that maybe with a black outfit and simple equipment everything could be easier but I don’t wanna change for the market rules.

“It’s difficult to have hobbies with my lifestyle”

You can read more about her interview at Projectrevolver